Image from page 452 of "Art in France" (1911) by Internet Archive Book Images
<b>Identifier</b>: artinfranc00hour
<b>Title</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidartinfranc00hour">Art in France</a>
<b>Year</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1911">1911</a> (<a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1910">1910s</a>)
<b>Authors</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorHourticq__Louis__1875_1944">Hourticq, Louis, 1875-1944</a>
<b>Subjects</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectArt">Art</a>
<b>Publisher</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisherNew_York___Scribner">New York : Scribner</a>
<b>Contributing Library</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorRobarts___University_of_Toronto">Robarts - University of Toronto</a>
<b>Digitizing Sponsor</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorUniversity_of_Toronto">University of Toronto</a>
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<b>About This Book</b>: <a href="https://archive.org/details/artinfranc00hour" rel="nofollow">Catalog Entry</a>
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<b>Text Appearing Before Image:</b>
<i>Fir.. 885. — PfVIS DE CHAVANNES.CHILDHOOD OF SAINT C.ENEVlfeVE. (PantWon, Paris.) NATURALISM</i>
<b>Text Appearing After Image:</b>
<i>FIG. SS*).—PUVIS DE THAVANXES.THE SACRED GROVE. (Museum of Lyons.) of a church, a pool withwater-lilies, sufficedClaude Monet for thethread on which hestrung his glittering gems(Figs. 899-901). 1 he reflections of Im-pressionism are to befound in the greater partof contemporary paint-ing ; its sparks kindleda blaze of fireworks indecorative art. Land-scape painters have sofar profited by it thatthey have learnt to differentiate the light of special hours andregions. Theodore Rousseau made but a slight distinction betweensouthern sunshine and that of the Ile-de-France; Corot confoundedthat of Italy with that of Picardy. They obliterated the too char-acteristic brilHancy of each particular hour and of every individualsky. A new world has been discovered and explored which nopainter can now ignore. The Impressionists have formed a decorative style; the briUiantpolychromy of their palettes incites these subtle observers con-tinually to new fantasies of colour. Claude Monet fell into the</i>
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